Anna Kornbluh The Order of Forms: Realism, Formalism, and Social Space (The University of Chicago Press, 2019) 240 pp., 6 halftones, 5 line drawings. (Paper $27.50, ISBN: 9780226653341; Cloth $82.50, ISBN: 9780226653204).
Bethan Jenkins, Between Wales and England: Anglophone Welsh Writing of the Eighteenth Century (University of Wales Press, 2017). 248 pp. (Hdbk., £85.00, ISBN 9781786830296)
Marjorie Levinson, Thinking Through Poetry: Field Notes on the Romantic Lyric (Oxford University Press, 2018). 330 pp. (Hdbk., $82; ISBN 9780198810315).
Yohei Igarashi, The Connected Condition: Romanticism and the Dream of Communication (Stanford University Press, 2020). 237 pp., 4 b&w illus. (Hdbk., $60.00; ISBN 9781503610040).
Romantic Circles: Reviews & Receptions Editors Alex Gatten and Lenora Hanson host a roundtable discussion on uprisings, online teaching, and hopes for the field and for scholarship moving forward. The roundtable took place originally on June 4, 2020, several months into the pandemic and shortly after uprisings began due to the murders of George Floyd and Breonna Taylor.
Chris Bundock and Elizabeth Effinger, eds., William Blake’s Gothic Imagination: Bodies of Horror (Manchester University Press, 2018). 312 pp., 22 b&w illus. (Hdbk., $120; ISBN 978-1-5261-2194-3).
Diana Edelman University of North Georgia, Gainesville
Mark Coeckelbergh New Romantic Cyborgs: Romanticism, Information Technology, and the End of the Machine (Cambridge Massachusetts: MIT Press, 2017). 320 pp. (£14.00, ISBN. 9780262035460).
Anna Mercer, The Collaborative Literary Relationship of Percy Bysshe Shelley and Mary Wollstonecraft Shelley (New York and London: Routledge, 2019). 210 pp. (Hdbk., $155, ISBN 9780367277956).
A Q & A with Anna Mercer Cardiff University and Keats House, Hampstead
Jenny Diplacidi, Gothic Incest: Gender, Sexuality and Transgression (Manchester University Press, 2018). 312 pp. (Hdbk., £80.00, ISBN 978-1-7849-9306-1).
