Romanticism and Opera
Table of Contents
- About this Volume
- "Introduction"
- Gillen D'Arcy Wood, University of Illinois, Urbana-Champaign
- Abstract | Essay
- "Scott Repatriated?: La Dame blanche Crosses the Channel"
- Christina Fuhrman, Ashland University
- Abstract | Essay
- "Talking About Virtue: Paisiello's 'Nina,' Paër's 'Agnese,' and the Sentimental Ethos"
- Diane Long Hoeveler, Marquette University
- Abstract | Essay
- "Sounds Romantic: The Castrato and English Poetics Around 1800"
- J. Jennifer Jones, University of Rhode Island
- Abstract | Essay
- "'An assiduous frequenter of the Italian opera': Shelley's Prometheus Unbound and the opera buffa"
- Jessica K. Quillin, University of Cambridge
- Abstract | Essay
- "Lewis/Gounod's Bleeding Nonne: An Introduction and Translation of the Scribe/Delavigne Libretto"
- Anne Williams, University of Georgia
- Abstract | Essay
Editor
Published @ RC
May 2005
Resource Technical Editor
Related Resources
What does sound look like? How might it be visually represented? Can it be explained in a scientific diagram? This gallery seeks to explore these questions by examining the form and significance of the ways in which the Romantic period sought to...
Published here for the first time, The Gipsy Prince (Haymarket, 24 July 1801), was the collaboration of Thomas Moore who composed the libretto and lyrics and Michael Kelly who provided the musical score. Though it had the...
This resource documents the first full production of a John Thelwall play. It contains an introductory essay by Judith Thompson and a full performance video of the 2009 Dalhousie/Zuppa Theatre production...
This forum attends to the sounding
sense of Romantic poetry, both thematically (a
poetics of sound) and sensually/phonically (the
poetry of sound and the sound of poetry). This volume...