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Charles North reads "The Daffodils" by William Wordsworth

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In this installment, Charles North reads “The Daffodils” by William Wordsworth. North is poet-in-residence at Pace University in Manhattan. In addition to receiving four awards from the Fund for Poetry, he is a two-time winner of the National Endowment for the Arts Creative Writing Fellowship. His books include: Six Buildings (Swollen Magpie Press 1977), Leap Year, Poems 1968-1978 (Kulchur 1978), Year of the Olive Oil (Hanging Loose Press 1989), No Other Way: Poets, Critics, and Painters (Hanging Loose Press 1998), New and Selected Poems (Sun and Moon Press, 1999), and The Nearness of the Way You Look Tonight (Adventures in Poetry 2001), among others.

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William Wordsworth, "The Daffodils"

I WANDER'D lonely as a cloud
That floats on high o'er vales and hills,
When all at once I saw a crowd,
A host of golden daffodils,
Beside the lake, beneath the trees,
Fluttering and dancing in the breeze.

Continuous as the stars that shine
And twinkle on the Milky Way,
They stretch'd in never-ending line
Along the margin of a bay:
Ten thousand saw I at a glance,
Tossing their heads in sprightly dance.

The waves beside them danced, but they
Outdid the sparkling waves in glee:—
A poet could not but be gay
In such a jocund company!
I gazed, and gazed, but little thought
What wealth the show to me had brought:

For oft, when on my couch I lie
In vacant or in pensive mood,
They flash upon that inward eye
Which is the bliss of solitude;
And then my heart with pleasure fills,
And dances with the daffodils.

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Illya Kaminsky performs "The Tyger" by William Blake

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In this installment, Illya Kaminsky performs “The Tyger” by William Blake. Kaminsky was born in Odessa, formerly of the Soviet Union, in 1977, and arrived to the United States in 1993, when his family was granted asylum by the American government. He is the author of Dancing In Odessa (Tupelo Press, 2004) which won the American Academy of Arts and Letters' Metcalf Award, the Dorset Prize, and the 2005 Poetry Book of the Year from ForeWord Magazine. Ilya has served as a Writer In Residence at Phillips Exeter Academy and worked as a Law Clerk at Bay Area Legal Aid, and National Immigration Law Center. He lives in Berkeley, California. For more information, please visit his website at: http://www.ilyakaminsky.com/

William Blake, "The Tyger"

Tyger! Tyger! burning bright
In the forests of the night.
What Immortal hand or eye
Could frame thy fearful symmetry?

In what distant deeps or skies
Burnt the fire of thine eyes?
On what wings dare he aspire?
What the hand, dare sieze the fire?

And what shoulder, and what art,
Could twist the sinews of thy heart?
And when thy heart began to beat,
What dread hand? and what dread feet?

What the hammer? What the chain?
In what furnace was thy brain?
What the anvil? what dread grasp
Dare its deadly terrors clasp?

When the stars threw down their spears,
And water'd heaven with their tears,
Did he smile his work to see?
Did he who made the lamb make thee?

Tyger! Tyger! burning bright,
In the forests of the night.
What Immortal hand or eye
Dare frame thy fearful symmetry?

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Geoffrey Brock reads "England, 1802" by William Wordsworth

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In this installment, Geoffrey Brock reads “England, 1802” by William Wordsworth. Brock is the author of Weighing Light (Ivan R. Dee, 2005) and the translator of books by Cesare Pavese, Roberto Calasso, and Umberto Eco. He has held a Wallace Stegner Fellowship, an NEA Fellowship, and a Guggenheim Fellowship, and he is on the faculty of the Programs in Creative Writing and Translation at the University of Arkansas. His website is www.geoffreybrock.com.

William Wordsworth, "England, 1802"

MILTON! thou shouldst be living at this hour:
England hath need of thee: she is a fen
Of stagnant waters: altar, sword, and pen,
Fireside, the heroic wealth of hall and bower,
Have forfeited their ancient English dower
Of inward happiness. We are selfish men;
O raise us up, return to us again,
And give us manners, virtue, freedom, power!
Thy soul was like a Star, and dwelt apart;
Thou hadst a voice whose sound was like the sea:
Pure as the naked heavens, majestic, free,
So didst thou travel on life's common way,
In cheerful godliness; and yet thy heart
The lowliest duties on herself did lay.

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Geoffrey Brock reads "To Sleep" by John Keats

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In this installment, Geoffrey Brock reads “To Sleep” by John Keats. Brock is the author of Weighing Light (Ivan R. Dee, 2005) and the translator of books by Cesare Pavese, Roberto Calasso, and Umberto Eco. He has held a Wallace Stegner Fellowship, an NEA Fellowship, and a Guggenheim Fellowship, and he is on the faculty of the Programs in Creative Writing and Translation at the University of Arkansas. His website is www.geoffreybrock.com.

John Keats, "To Sleep"

O SOFT embalmer of the still midnight!
Shutting with careful fingers and benign
Our gloom-pleased eyes, embower'd from the light,
Enshaded in forgetfulness divine;
O soothest Sleep! if so it please thee, close,
In midst of this thine hymn, my willing eyes,
Or wait the amen, ere thy poppy throws
Around my bed its lulling charities;
Then save me, or the passèd day will shine
Upon my pillow, breeding many woes;
Save me from curious conscience, that still lords
Its strength for darkness, burrowing like a mole;
Turn the key deftly in the oilèd wards,
And seal the hushèd casket of my soul.

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Geoffrey Brock reads "England in 1819" by Percy Bysshe Shelley

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In this installment, Geoffrey Brock reads “England in 1819” by Percy Bysshe Shelley. Brock is the author of Weighing Light (Ivan R. Dee, 2005) and the translator of books by Cesare Pavese, Roberto Calasso, and Umberto Eco. He has held a Wallace Stegner Fellowship, an NEA Fellowship, and a Guggenheim Fellowship, and he is on the faculty of the Programs in Creative Writing and Translation at the University of Arkansas. His website is www.geoffreybrock.com.

Percy Bysshe Shelley, "England in 1819"

An old, mad, blind, despised, and dying king,—
Princes, the dregs of their dull race, who flow
Through public scorn,—mud from a muddy spring,—
Rulers who neither see, nor feel, nor know,
But leech-like to their fainting country cling,
Till they drop, blind in blood, without a blow,—
A people starved and stabbed in the untilled field.—
An army, which liberticide and prey
Makes as a two-edged sword to all who wield,—
Golden and sanguine laws which tempt and slay ;
Religion Christless, Godless—a book sealed ;
A Senate,—Time's worst statute unrepealed,—
Are graves, from which a glorious Phantom may
Burst, to illumine our tempestuous day.

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Robert Cording reads "To Autumn" by John Keats

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In this installment, Robert Cording reads “To Autumn” by John Keats. Cording teaches English and creative writing at Holy Cross College. His fifth collection of poems, Common Life, is forthcoming in April 2006 from CavanKerry Press.

John Keats, "To Autumn"

1.

Season of mists and mellow fruitfulness,
Close bosom-friend of the maturing sun;
Conspiring with him how to load and bless
With fruit the vines that round the thatch-eves run;
To bend with apples the moss'd cottage-trees,
And fill all fruit with ripeness to the core;
To swell the gourd, and plump the hazel shells
With a sweet kernel; to set budding more,
And still more, later flowers for the bees,
Until they think warm days will never cease,
For Summer has o’er-brimm’d their clammy cells.

2.

Who hath not seen thee oft amid thy store?
Sometimes whoever seeks abroad may find
Thee sitting careless on a granary floor,
Thy hair soft-lifted by the winnowing wind;
Or on a half-reap’d furrow sound asleep,
Drows’d with the fume of poppies, while thy hook
Spares the next swath and all its twined flowers:
And sometimes like a gleaner thou dost keep
Steady thy laden head across a brook;
Or by a cyder-press, with patient look,
Thou watchest the last oozings hours by hours.

3.

Where are the songs of Spring? Ay, where are they?
Think not of them, thou hast thy music too,—
While barred clouds bloom the soft-dying day,
And touch the stubble plains with rosy hue;
Then in a wailful choir the small gnats mourn
Among the river sallows, borne aloft
Or sinking as the light wind lives or dies;
And full-grown lambs loud bleat from hilly bourn;
Hedge-crickets sing; and now with treble soft
The red-breast whistles from a garden-croft;
And gathering swallows twitter in the skies.

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William Fuller reads "Dewdrops" by John Clare

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In this installment, William Fuller reads the prose fragment “Dewdrops” by John Clare. Fuller's most recent books are Sadly (Flood Editions, 2003) and Avoid Activity (Rubba Ducky, 2003); Watchword is forthcoming in 2006 from Flood Editions. He lives in Winnetka, Illinois.

John Clare, "Dewdrops"

The dewdrops on every blade of grass are so much like silver drops that I am obliged to stoop down as I walk to see if they are pearls, and those sprinkled on the ivy-woven beds of primroses underneath the hazels, whitethorns and maples are so like gold beads that I stooped down to feel if they were hard, but they melted from my finger. And where the dew lies on the primrose, the violet and whitethorn leaves they are emerald and beryl, yet nothing more than the dews of the morning on the budding leaves; nay, the road grasses are covered with gold and silver beads, and the further we go the brighter they seem to shine, like solid gold and silver. It is nothing more than the sun's light and shade upon them in the dewy morning; every thorn-point and every bramble-spear has its trembling ornament: till the wind gets a little brisker, and then all is shaken off, and all the shining jewelry passes away into a common spring morning full of budding leaves, primroses, violets, vernal speedwell, bluebell and orchis, and commonplace objects.

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Rigoberto González reads "Thoughts on my sick-bed" by Dorothy Wordsworth

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In this installment, Rigoberto González reads “Thoughts on my sick-bed” by Dorothy Wordsworth. González is the author of four books, So Often the Pitcher Goes to Water until It Breaks, a 1998 National Poetry Series selection; two bilingual children's books, Soledad Sigh-Sighs / Soledad Suspiros and Antonio's Card / La Tarjeta de Antonio; and a novel, Crossing Vines. He has three titles forthcoming: Butterfly Boy, a memoir; Other Fugitives and Other Strangers, poetry; and a biography of Chicano writer Tomas Rivera. He is Associate Professor of English and Latino Studies at the University of Illinois, Urbana-Champaign and is Contributing Editor to Poets & Writers magazine.

Dorothy Wordsworth, "Thoughts on my sick-bed"

And has the remnant of my life
Been pilfered of this sunny Spring?
And have its own prelusive sounds
Touched in my heart no echoing string?

Ah! say not so—the hidden life
Couchant within this feeble frame
Hath been enriched by kindred gifts,
That, undesired, unsought-for, came

With joyful heart in youthful days
When fresh each season in its Round
I welcomed the earliest Celandine
Glittering upon the mossy ground;

With busy eyes I pierced the lane
In quest of known and unknown things,
—The primrose a lamp on its fortress rock,
The silent butterfly spreading its wings,

The violet betrayed by its noiseless breath,
The daffodil dancing in the breeze,
The caroling thrush, on his naked perch,
Towering above the budding trees.

Our cottage-hearth no longer our home,
Companions of Nature were we,
The Stirring, the Still, the Loquacious, the Mute—
To all we gave our sympathy.

Yet never in those careless days
When spring-time in rock, field, or bower
Was but a fountain of earthly hope
A promise of fruits & the splendid flower.

No! then I never felt a bliss
That might with that compare
Which, piercing to my couch of rest,
Came on the vernal air.

When loving Friends an offering brought,
The first flowers of the year,
Culled from the precincts of our home,
From nooks to Memory dear.

With some sad thoughts the work was done.
Unprompted and unbidden,
But joy it brought to my hidden life,
To consciousness no longer hidden.

I felt a power unfelt before,
Controlling weakness, languor, pain;
It bore me to the Terrace walk
I trod the Hills again; —

No prisoner in this lonely room,
I saw the green Banks of the Wye,
Recalling thy prophetic words,
Bard, Brother, Friend from infancy!

No need of motion, or of strength,
Or even the breathing air;
—I thought of Nature’s loveliest scenes;
And with Memory I was there.

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Matt O'Donnell reads "When we Two parted" by George Gordon, Lord Byron

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In this installment, Matt O’Donnell reads “When we Two parted” by George Gordon, Lord Byron. O’Donnell is founding editor and executive director of From the Fishouse, an audio archive of emerging poets.

George Gordon, Lord Byron, "When we Two parted"

WHEN we two parted
In silence and tears,
Half broken-hearted
To sever for years,
Pale grew thy cheek and cold,
Colder thy kiss;
Truly that hour foretold
Sorrow to this.

The dew of the morning
Sunk chill on my brow—
It felt like the warning
Of what I feel now.
Thy vows are all broken,
And light is thy fame:
I hear thy name spoken,
And share in its shame.

They name thee before me,
A knell to mine ear;
A shudder comes o'er me—
Why wert thou so dear?
They know not I knew thee,
Who knew thee too well:
Long, long shall I rue thee,
Too deeply to tell.

In secret we met—
In silence I grieve,
That thy heart could forget,
Thy spirit deceive.
If I should meet thee
After long years,
How should I greet thee?
With silence and tears.

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Caroline Bergvall reads "Mont Blanc" by Percy Bysshe Shelley (Accompanied with music by Mario Diaz de León, "Pervaded with that Ceaseless Motion")

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In this installment, Caroline Bergvall reads Percy Bysshe Shelly’s “Mont Blanc,” accompanied with music by Mario Diaz de León, “Pervaded with that Ceaseless Motion.” Bergvall is a poet and performance artist based in London, England. Her most recent collection of poetic and performance pieces, FIG (Goan Atom 2) has recently been published by Salt Publishing. Her CD of readings and audiotexts, Via: Poems 1994-2004 (Rockdrill 8 ) is available through Carcanet. She develops live readings, performances, collaborative pieces, both in Europe and in North America. She is Research Fellow at Dartington College of Arts (Devon) and co-Chair of the MFA Writing Faculty, Milton Avery School of the Arts, Bard College (NY). For more information about Bergvall click here. Mario Diaz de León is a composer currently living in Brooklyn, NY, where he writes chamber music for instruments and electronics, collaborates with Jay King in the audiovisual duo King/Diaz de León, and plays improvised music. He holds a B.M. in TIMARA (Technology in Music and Related Arts) from the Oberlin Conservatory, and is a recipient of the 2005 Meet the Composer / Van Lier Fellowship.


Percy Bysshe Shelley, "Mont Blanc: Lines Written in the Vale of Chamouni"

I

The everlasting universe of things
Flows through the mind, and rolls in rapid waves,
Now dark--now glittering--now reflecting gloom--
Now lending splendour, where from secret springs
The source of human thought its tributes bring
Of waters--with a sound but half its own,
Such as a feeble brook will oft assume,
In the wild woods, among the mountains lone,
Where waterfalls around it leap for ever,
Where woods and winds contend, and a vast river
Over its rocks ceaselessly bursts and raves.

II

Thus thou, Ravine of Arve--dark, deep Ravine--
Thou many-colour'd, many-voiced vale,
Over whose pines, and crags, and caverns sail
Fast cloud-shadows and sunbeams: awful scene,
Where Power in likeness of the Arve comes down
From the ice-gulfs that gird his secret throne,
Bursting through these dark mountains like the flame
Of lightning through the tempest;--thou dost lie,
Thy giant brood of pines around thee clinging,
Children of elder time, in whose devotion
The chainless winds still come and ever came
To drink their odours, and their mighty swinging
To hear--an old and solemn harmony;
Thine earthly rainbows stretch'd across the sweep
Of the aethereal waterfall, whose veil
Robes some unsculptur'd image; the strange sleep
Which when the voices of the desert fail
Wraps all in its own deep eternity;
Thy caverns echoing to the Arve's commotion,
A loud, lone sound no other sound can tame;
Thou art the path of that unresting sound--
Dizzy Ravine! and when I gaze on thee
I seem as in a trance sublime and strange
To muse on my own separate fantasy,
My own, my human mind, which passively
Now renders and receives fast influencings,
Holding an unremitting interchange
With the clear universe of things around;
One legion of wild thoughts, whose wandering wings
Now float above thy darkness, and now rest
Where that or thou art no unbidden guest,
In the still cave of the witch Poesy,
Seeking among the shadows that pass by
Ghosts of all things that are, some shade of thee,
Some phantom, some faint image; till the breast
From which they fled recalls them, thou art there!

III

Some say that gleams of a remoter world
Visit the soul in sleep, that death is slumber,
And that its shapes the busy thoughts outnumber
Of those who wake and live.--I look on high;
Has some unknown omnipotence unfurl'd
The veil of life and death? or do I lie
In dream, and does the mightier world of sleep
Spread far around and inaccessibly
Its circles? For the very spirit fails,
Driven like a homeless cloud from steep to steep
That vanishes among the viewless gales!
Far, far above, piercing the infinite sky,
Mont Blanc appears--still, snowy, and serene;
Its subject mountains their unearthly forms
Pile around it, ice and rock; broad vales between
Of frozen floods, unfathomable deeps,
And wind among the accumulated steeps;
A desert peopled by the storms alone,
Save when the eagle brings some hunter's bone,
And the wolf tracks her there--how hideously
Its shapes are heap'd around! rude, bare, and high,
Ghastly, and scarr'd, and riven.--Is this the scene
Where the old Earthquake-daemon taught her young
Ruin? Were these their toys? or did a sea
Of fire envelop once this silent snow?
None can reply--all seems eternal now.
The wilderness has a mysterious tongue
Which teaches awful doubt, or faith so mild,
So solemn, so serene, that man may be,
But for such faith, with Nature reconcil'd;
Thou hast a voice, great Mountain, to repeal
Large codes of fraud and woe; not understood
By all, but which the wise, and great, and good
Interpret, or make felt, or deeply feel.

IV

The fields, the lakes, the forests, and the streams,
Ocean, and all the living things that dwell
Within the daedal earth; lightning, and rain,
Earthquake, and fiery flood, and hurricane,
The torpor of the year when feeble dreams
Visit the hidden buds, or dreamless sleep
Holds every future leaf and flower; the bound
With which from that detested trance they leap;
The works and ways of man, their death and birth,
And that of him and all that his may be;
All things that move and breathe with toil and sound
Are born and die; revolve, subside, and swell.
Power dwells apart in its tranquillity,
Remote, serene, and inaccessible:
And this, the naked countenance of earth,
On which I gaze, even these primeval mountains
Teach the adverting mind. The glaciers creep
Like snakes that watch their prey, from their far fountains,
Slow rolling on; there, many a precipice
Frost and the Sun in scorn of mortal power
Have pil'd: dome, pyramid, and pinnacle,
A city of death, distinct with many a tower
And wall impregnable of beaming ice.
Yet not a city, but a flood of ruin
Is there, that from the boundaries of the sky
Rolls its perpetual stream; vast pines are strewing
Its destin'd path, or in the mangled soil
Branchless and shatter'd stand; the rocks, drawn down
From yon remotest waste, have overthrown
The limits of the dead and living world,
Never to be reclaim'd. The dwelling-place
Of insects, beasts, and birds, becomes its spoil;
Their food and their retreat for ever gone,
So much of life and joy is lost. The race
Of man flies far in dread; his work and dwelling
Vanish, like smoke before the tempest's stream,
And their place is not known. Below, vast caves
Shine in the rushing torrents' restless gleam,
Which from those secret chasms in tumult welling
Meet in the vale, and one majestic River,
The breath and blood of distant lands, for ever
Rolls its loud waters to the ocean-waves,
Breathes its swift vapours to the circling air

V

Mont Blanc yet gleams on high:--the power is there,
The still and solemn power of many sights,
And many sounds, and much of life and death.
In the calm darkness of the moonless nights,
In the lone glare of day, the snows descend
Upon that Mountain; none beholds them there,
Nor when the flakes burn in the sinking sun,
Or the star-beams dart through them. Winds contend
Silently there, and heap the snow with breath
Rapid and strong, but silently! Its home
The voiceless lightning in these solitudes
Keeps innocently, and like vapour broods
Over the snow. The secret Strength of things
Which governs thought, and to the infinite dome
Of Heaven is as a law, inhabits thee!
And what were thou, and earth, and stars, and sea,
If to the human mind's imaginings
Silence and solitude were vacancy?

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