3101. Robert Southey to Thomas Southey, Easter Eve [22 March] 1818

3101. Robert Southey to Thomas Southey, Easter Eve [22 March] 1818*
Easter Eve. 1818.
My dear Tom
Here is something for you rather more interesting than any news which I have to communicate. I know nothing of the author, except that he introduces himself to me in a very well written letter, as a person known to Mrs Lloyd. There is a great of cleverness in some of the sketches (specimens of eight or ten have been sent me) not in all, – they are as may be expected very unequal, – this is one of the best. [1] I have subscribed for four sets, one of which is intended for your Lordship.
My provoking books are not yet come, – of all the packages that I ever yet expected, that this is the one concerning which I have been most frequently disappointed. [2] And as miseries seldom come singly, Pople is keeping me upon a short allowance of proof sheets, [3] – not one have I had for the last three weeks.
Thank you for your extracts. [4] What a scoundrel that fellow is
I am getting on with Brazil [5] & with Wesley, [6] – & have gone thro 40 volumes of the Methodist Magazine in collecting materials for the latter. [7] It will be a singularly curious work.
Love to Sarah & the children –
God bless you
RS.
Notes
* Address: To Capt Southey/ Warcop./ near/ Brough
Stamped: KESWICK/ 298
MS:
Special Collections, University of Iowa Libraries, Iowa City, Iowa. ALS; 2p.
(c).
Unpublished.
Dating note: Easter Sunday fell on 22 March in
1818.
Note on MS: The letter is written onto the blank leaves of a copy of
the ‘PROSPECTUS’ for ‘ESSAYS IN DESIGN/ FROM/ SOUTHEY’S POEM OF THALABA./ DRAWN
AND ETCHED/ BY/ WILLIAM HAWKES SMITH’. This reads as follows: ‘In
Royal Quarto, Price 10s. 6d.// ESSAYS IN DESIGN/ FROM/ SOUTHEY’S POEM OF
THALABA/ DRAWN AND ETCHED/ BY/ WILLIAM HAWKES
SMITH/ PROSPECTUS.// When an unprofessional Artist, and one whose only
opportunities of cultivating an acquaintance with the Arts, are the scanty
portions of leisure allowed from the pressure of his daily occupations; when such
a one ventures to submit the result of his labours to public notice, some apology
is necessary, and it is accordingly, with becoming diffidence, that these attempts
to embody the ideas of the Poet are given to the general eye.// The Sketches which
form the proposed work, were chiefly made several years ago, and their revision
and improvement have been the occasional occupation of the Artist’s leisure for
some months past. Fully aware that numerous defects may be detected, he trusts
that, under the unpretending title of ‘ESSAYS,’ his efforts may be candidly
examined, and that if any merit be discernible in the Conception, those errors in Drawing which years of
close study would alone instruct him to avoid, may be pardoned.// The work will
consist of Twenty-eight outline Etchings, from what are
deemed the most prominent and interesting situations in the Poem; they will be
printed on fine Royal Drawing Paper, and accompanied by a sheet of Letter-press,
containing ample explanatory quotations.// A specimen of the style of the designs,
is given in the Plate worked at the back of this page.// The Names of Subscribers
will be received by W. Hawkes Smith, Easy Row, Birmingham.// [SMITH,
TYP.]’ BACK
[1] William Hawkes Smith’s ‘Prospectus’ included a copy of ‘Thalaba Bound’, published as Plate XVI in Essays in Design Drawn and Etched by W. H. Smith, …Illustrative of the Poem of ‘Thalaba the Destroyer’ by R. Southey (1818). BACK