This past August I was hired by Emory University as a Mellon Fellow for their Digital Scholarship Commons (DiSC). The Commons is funded by a grant, and is charged with increasing the opportunities for digital scholarship on campus. We also help develop two large-scale digital projects per semester. This semester, for example, we are involved in "Lynching in Georgia 1875-1930" (a project chronicling the many lynchings that took place in the state of Georgia) and "Commonwealth" (an update to the Postcolonial Theory website maintained by Emory University).

Like Kate Singer, I too have been thinking about the rise of the Digital Humanities at MLA 2011. I agree, largely, that making should be a hallmark of identifying as a digital humanist but - like Kate - I wonder if making is limited to coding. Building or making may refer to the construction of scholarly and student communities.  Matt Kirschenbaum in "What is Digital Humanities and What's it Doing in English Departments?" makes the following claim:

Whatever else it might be then, the digital humanities today is about a scholarship (and a pedagogy) that is publicly visible in ways to which we are generally unaccustomed, a scholarship and pedagogy that are bound up with infrastructure in ways that are deeper and more explicit than we are generally accustomed to, a scholarship and pedagogy that are collaborative and depend upon networks of people and that live an active 24/7 life online. Isn't that something you want in your English Department?

For my Spring class on "Blake 2.0," I've decided to engage in collaborative learning and model forms of collective intelligence. I like my assignments to have two separate characteristics. First, I like to show students that they can accomplish great things if they work together. Second, I like my students to produce something of value, something that they can be proud of after the end of the semester.

My course for the next semester is heavily involved in the "digital humanities." Recently, Alex Reid wrote a fascinating post on his blog "Digital Digs" about what he called the "strong" and the "weak" versions of the digital humanities.

As a scholar and a teacher, I enjoy experimenting with both individual and collaborative projects. I tend to feel that the humanities are unique in their ambivalence about collaboration. On the one hand, the web is offering humanities scholars many opportunities for collaboration; on the other hand, I always find myself wondering how much a collaborative article, project, or book will "count" when it comes to hiring or tenure.

The topic is especially interesting for someone who teaches the Romantic period, since Romanticism is often associated with individualism. And yet, Romantic authors also expressed collectivist sentiments. As Beth Lau points out, even famously individualistic male Romantic writers struggled with individualism: