In this installment, Stuart Greenhouse reads “Mont Blanc” by Percy Bysshe Shelley. Greenhouse's poems have appeared in journals such as Antioch Review, Bellingham Review, Chelsea, Fence, Paris Review, and Ploughshares. His chapbook, What Remains, was chosen for a National Chapbook Fellowship and was published by the Poetry Society of America in 2005.

In this installment, Oliver de la Paz reads “O Solitude!” by John Keats. Paz teaches creative writing at Western Washington University. He is a recipient of a 2005 New York Foundation for the Arts Fellowship. He has worked with Kundiman as faculty/staff since 2004, and he currently serves on their Advisory Board. Oliver's poems have appeared in journals such as Quarterly West, Cream City Review, Third Coast, North American Review, and elsewhere. Names Above Houses, a book of his prose and verse, was a winner of the 2000 Crab Orchard Award Series and was published by Southern Illinois University Press in 2001. His second collection of poems, Furious Lullaby, will be published in 2007 by SIU Press.

In this installment, Don Paterson reads “Let me not deem that I was made in vain” by Hartley Coleridge. Paterson is the author is numerous volumes of poetry, including Nil Nil (1993), which was awarded the Forward Poetry Prize for Best First Collection, God's Gift to Women (1997), which won the T.S. Eliot Prize and the Geoffrey Faber Memorial Prize, and Landing Light (2003), which won both the T. S. Eliot Prize and the Whitbread Poetry Award. He has also been awarded an Eric Gregory Award, a Scottish Arts Council Creative Scotland Award, and his poem 'A Private Bottling' won the Arvon Foundation International Poetry Competition in 1993. Other published volumes include adaptations of poems by Machado and Rilke, contemporary plays, and several collected anthologies. He is poetry editor for Picador (London). His recitation of Hartley Coleridge's poem was recorded live at the International Coleridge Conference in Cannington, UK.

In this installment, Peter Riley reads “A Winter Hymn to the Snow” by Ebenezer Jones. Jones is the author of numerous collections of poetry, including Love-Strife Machine (1968), The Linear Journal (1973), Lines on the Liver (1981), Tracks and Mineshafts (1983), Sea Watches (1991), Alstonefield and Distant Points (1995), Noon Province (1996), Snow has Settled . . . Bury Me Here (1997), The Dance at Mociu (2003), and Excavations (2004). The recent special issue of The Gig/Poetry (4:5, 2000) was dedicated to the discussion of his verse and his contribution to British poetry.

In this installment, Peter Larkin (b. New Forest, Hampshire, UK, 1946) reads “Yardley Oak” by William Cowper. Larkin is the author of two large poetry collections, Terrain Seed Scarcity (2001) and Leaves of Field (2006), as well as many smaller pamphlets. He ran Prest Roots Press from the late '80s until three years ago. He works at Warwick University Library and has published a number of academic papers on the Romantic poets.