In this installment, Philip Metres reads “Ozymandias” by Percy Bysshe Shelley. Metres is a poet and a translator whose work has appeared in numerous journals and in Best American Poetry (2002). His publications include the chapbooks Instants (Ugly Duckling Presse, 2006) and Primer for Non-Native Speakers (The Kent State University Press, 2004), the translation (with Tatiana Tulchinsky) Catalogue of Comedic Novelties: Selected Poems of Lev Rubinstein (Ugly Duckling Presse, 2004), and the translation A Kindred Orphanhood: Selected Poems of Sergey Gandlevsky (Zephyr Press, 2003). Forthcoming is Behind the Lines: War Resistance Poetry on the American Homefront, Since 1941 (University of Iowa Press, 2007). He teaches literature and creative writing at John Carroll University in Cleveland, Ohio. Were it not for Ellis Island, his last name would be Abourjaili.

In this installment, Patrick Phillips reads “The Prelude XII” (1805) [Lines 208-261] by William Wordsworth. Phillips' first book, Chattahoochee , received the both the 2005 Kate Tufts Discovery Prize and was published by the University of Arkansas Press. Poems from the book have appeared in many magazines, including Poetry, Ploughshares, and The Nation. His honors include a Discovery/The Nation Award, a Fulbright Scholarship at the University of Copenhagen, and fellowships from Yaddo, MacDowell, and the Bread Loaf Writers' Conference. He recently completed a doctorate in Renaissance Literature at New York University, and teaches at Maritime College in New York City.

In this installment, Charles Bernstein reads “The Grey Monk” by William Blake. Bernstein is the author of 39 books, ranging from large-scale collections of poetry and essays to pamphlets, libretti, translations, and collaborations. Recent full-length works of poetry include Girly Man (University of Chicago Press, 2006), With Strings (University of Chicago Press, 2001), and Republics of Reality: 1975-1995 (Sun & Moon Press, 2000). He is Donald T. Regan Professor of English at the University of Pennsylvania and, in 2006, was elected a Fellow of the American Academy of Arts & Sciences. With Bruce Andrews, Bernstein edited L=A=N=G=U=A=G=E, which was anthologized as The L=A=N=G=U=A=G=E Book (Southern Illinois University Press, 1984). He has been host and co-producer of LINEbreak and Close Listening, two radio poetry series. For more information go to http://epc.buffalo.edu/authors/bernstein.

In this installment, Yunte Huang reads “The Daffodils” by William Wordsworth. Poet and critic Yunte Huang is the author of numerous books, including Transpacific Displacement and Shi: A Radical Reading of Chinese Poetry. He has translated Ezra Pound's poetry into Chinese. Huang teaches at the University of California-Santa Barbara. His reading for Romantic Circles was made on the occasion of the 2006 MLA "The Sound of Poetry, The Poetry of Sound" meeting.

In this installment, Elaine Sexton reads “Lines Written in Early Spring” by William Wordsworth. Sexton is the author of Sleuth, a collection of poems published by New Issues Press (Western Michigan University) in 2003, and Causeway, forthcoming with New Issues in Spring 2008. Her poems, reviews, and essays have appeared in numerous journals including American Poetry Review, ARTnews, Poetry, Prairie Schooner, The Women's Review of Books, the Writer's Chronicle (AWP), and online with Poetry Daily.